Opal Tapes

Since adopting the analog magnetic recording format in 2012, Opal Tapes has flourished into a renowned outpost for intelligently crafted reel-to-reel recordings which evoke a warped nostalgic romanticism and therefore pair effortlessly with film score, performance art and gallery space. Whilst a discerning listening experience, the ballast of Opal Tapes’ high-fidelity output occupies an ever-fertile terroir between the worn tropes of musique concrete, drone, krautrock, shoegaze and deconstructed techno. Now entering into its 250th release there is an overwhelming sense of accomplishment from this Northern institution, which has amalgamated the talents of Huerco S, Patricia, Wanda Group, Russell E.L. Butler and E-Saggila, and whilst none of the aforementioned artists conform to a stern 4/4 machine-like pulse, the music is blessed with a bleak, introverted and dystopian aesthetic that is refreshing in todays like-driven landscape and the jubilant race for recognition. Independently operated, curated and mastered by Stephen Bishop (who records as Basic House), the label is built on foundational pillars of idealogical and geological principles and is a profound extension of Bishops personal interests in making academically-borne music accessible. Steadfast in his mission to make sound design, found sound and extreme sonics palatable in their new polyester spooled context has driven the label to be known for it’s signature sound of complex yet texture focussed composition. This is undoubtedly the most inimitable catalogue of leftfield recordings available to those seeking complete immersion and one that continues to challenge its listeners whilst introducing a family of confederated, truly individual artists.